Jan
24
2012

Candice Breitz: Extra! Standard Bank Gallery

8 February - 5 April, 2012

Candice Breitz: Extra! - the first comprehensive survey exhibition of the artist's work to be presented in South Africa - runs at the Standard Bank Gallery in partnership with the Goethe-Institut and Goodman Gallery from 8 February until 5 April, 2012. Breitz, who was born in Johannesburg but now lives and works in Berlin, is an internationally renowned artist who has exhibited her photographs and video installations worldwide.

Breitz's exhibition derives its title from her new work Extra (2011), a single-channel video as well as a series of photographs created on the set of the soap opera, Generations. Broadcast on SABC 1 since 1994, Generations, South Africa's most loved soap and the most watched television programme on the African continent, seeks to paint a picture of the country's emerging black middle class against the backdrop of the media industry. Generations does not include any major white characters in its cast: because much of the script is delivered in Nguni languages, white South Africans - who at this historical juncture rarely speak indigenous African languages - simply don't fit into this aspirational landscape.

In Extra, Breitz inserts herself into a number of actual scenes from Generations, sometimes subtly, sometimes awkwardly and absurdly, but always without judgement or easy explanation. Here she resonates as a conspicuously white presence amongst an otherwise black cast. The resulting images are simultaneously thought provoking and uncomfortably amusing - implicitly raising questions about what it might mean to be white in the context of the new South Africa, without offering easy answers. Extra was specially commissioned by the Standard Bank of South Africa and is being shown for the first time in this exhibition.

The second video installation in the exhibition is similarly concerned with questions around identity and self-formation. Factum (2010) is a series of dual-channel installations, each of which juxtaposes the testimonies of a pair of identical twins, whom Breitz interviewed individually at length. As each pair of siblings competes to narrate lives that have been intimately intertwined, the play of similarity and difference between them comes to evoke the struggle that all individuals must negotiate in defining their selfhood in relation to others. 

The third work on this exhibition, Mother + Father (2005), is a pair of video installations that features a selection of fictional parental characters drawn from popular cinema. Mother includes Faye Dunaway, Diane Keaton, Shirley MacLaine, Julia Roberts, Susan Sarandon and Meryl Streep, while Father features Tony Danza, Dustin Hoffman, Harvey Keitel, Steve Martin, Donald Sutherland and Jon Voight. In each case, Breitz's edit weaves carefully selected snippets of footage drawn from a variety of films into a new dialogue that probes parental stereotypes, and at the same time explores the formative power of mainstream entertainment.

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